In Shifting Perspectives II is visible how I create the same composition as in Colour Space, but in reverse: the composition of Colour Space is based on white spatially arranged surfaces, but now I create the same composition with coloured flat arranged surfaces. The result is similar, but different. See it from a different angle, like Shifting Perspective III, then it continues to differ. In addition, all surfaces in Colour Space are reduced to one average color for each plane, creating a non-existent and abstracted spatial image.